David A. Goldfarb
02-03-2011, 09:30 PM
I don't think I ever introduced myself formally on hybridphoto.com, so now's as good a time as any. I suppose most people will know me as one of the moderators on APUG.org or from my posts on the large format forum or other forums.
I've done some hybrid work, mostly along the lines of using digital negatives to deal with "difficult" analogue negatives that would be hard to print otherwise, due to physical damage or exposure errors. I've also used LightJet and Chromira output from scanned color negs and transparencies, which is hybrid, but I don't think of that as being hybrid in a particularly interesting way.
I shoot digital mostly for work, where we might be using images of artists, writers, and performers or from cultural events for our website, brochures, posters, print advertising, media, or internal reports, and we occasionally make video trailers using DSLR video (http://vimeo.com/16516593). The turnaround time needed is usually too quick to shoot film, given the other responsibilities of my job, but I'm starting to incorporate some film photography into work as well, because I like the way it looks or because I want to use something like the Noblex.
I also shoot some stock (http://www.alamy.com/stock-photography/3BBE5DDE-44FA-436F-83F0-BE4700436E3F/1/David%20Goldfarb.html) with digital.
I've done some hybrid work, mostly along the lines of using digital negatives to deal with "difficult" analogue negatives that would be hard to print otherwise, due to physical damage or exposure errors. I've also used LightJet and Chromira output from scanned color negs and transparencies, which is hybrid, but I don't think of that as being hybrid in a particularly interesting way.
I shoot digital mostly for work, where we might be using images of artists, writers, and performers or from cultural events for our website, brochures, posters, print advertising, media, or internal reports, and we occasionally make video trailers using DSLR video (http://vimeo.com/16516593). The turnaround time needed is usually too quick to shoot film, given the other responsibilities of my job, but I'm starting to incorporate some film photography into work as well, because I like the way it looks or because I want to use something like the Noblex.
I also shoot some stock (http://www.alamy.com/stock-photography/3BBE5DDE-44FA-436F-83F0-BE4700436E3F/1/David%20Goldfarb.html) with digital.