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3 Color Gum:Starting Out?
Hi!
If this post is in the wrong area or anything to that effect, I humbly apologize! I am new to this site, and joined specifically to ask this question: After Recently reading an article about Keith Taylor's 3 color gum process, and seeing the beautiful prints he has created, I want a piece of that action!
*Question officially starts here*
What materials can you gurus out there reccomend I get my hands on to get started in educating myself in this process? I understand the basic concept, but only at its most fundamental level. There does not seem to be a whole lot out there to get started with, so perhaps someone who has been through all this already could give me some tips?
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The best thing to do (in my opinion) is get Christina Anderson's book Alternative Processes Condensed. It is very heavy on the gum process. I learned the technique using her book. I understand she is writing a new book dedicated entirely to the gum process.
You can see some of my gum work on my website.
Good luck,
Steve www.scdowellphoto.com -
 Originally Posted by Edward Rhys
What materials can you gurus out there reccomend I get my hands on to get started in educating myself in this process? I understand the basic concept, but only at its most fundamental level. There does not seem to be a whole lot out there to get started with, so perhaps someone who has been through all this already could give me some tips? Hi Edward,
I would agree with Steve, Chris Anderson's books are good. I read virtually everything I could find on gum printing when I started (Chris's books hadn't been written then) and ended up disregarding most of it. It's important to find your own workflow and not assume that because someone is working in a particular way that that is the only way forward.
Even though I now use profiles and colour management, that wasn't always the way. I printed in gum for many years successfully without a profile. As a commercial printer that part of it helps me enormously, but isn't necessary.
The beauty of gum printing is that it can be as realistic or as free-form as you want it to be. My prints are fairly photorealistic so I only use 3 or 4 pigments but I'm sure Chris, Katherine Thayer and others use many more.
Good luck.
Keith.
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